Untitled Formerly Titled Collage With Horse 1957 by Robert Rauschenberg

Untitled Formerly Titled Collage With Horse by Robert Rauschenberg (1957) — Framed Art Print | Zephyeer
🚚 Free Worldwide Shipping on Every Order — No Minimum Required
Neo-Dada · 1957
UNTITLED FORMERLY TITLED COLLAGE WITH HORSE 1957 by Robert Rauschenberg — Framed art print at Zephyeer
Free Shipping · All Sizes · All Countries
HomeNeo-DadaRobert Rauschenberg › Untitled Formerly Titled Collage With Horse
Robert Rauschenberg

Untitled Formerly Titled Collage With Horse

1957 · Mixed-media collage · Gallery framed print
30×40 cm (12×16")
$24999
FREE shipping worldwide · In stock
Add to Cart
🔒 Secure checkout
📦 Free worldwide shipping
🎨 Gallery-quality framing
📅 30-day returns

Rauschenberg’s 1957 Collage: Where Found Objects Become Fine Art

Few works capture the raw energy of mid-century American art like Robert Rauschenberg’s Untitled Formerly Titled Collage With Horse. Created in 1957, this piece emerged during a pivotal moment when Rauschenberg was dismantling the boundaries between painting and sculpture. The collage—part of his groundbreaking Combines series—juxtaposes a printed horse, fabric swatches, and found paper against a textured ground, embodying the artist’s belief that “painting relates to both art and life.” Unlike the Abstract Expressionists who dominated the era, Rauschenberg insisted on incorporating the mundane, the discarded, and the overlooked into his compositions.

This work arrived just two years after his infamous Erased de Kooning Drawing (1953), a piece that questioned authorship by obliterating another artist’s marks. By 1957, Rauschenberg had fully embraced assemblage, pulling materials from the streets of New York and his own studio debris. The horse motif—recurring in his oeuvre—here takes on a fragmented, almost ghostly presence, layered beneath scrawled text and smudged pigments. As the Museum of Modern Art notes, his Combines “challenged the viewer to complete the work through their own associations,” a radical departure from the self-contained canvases of his peers.

UNTITLED FORMERLY TITLED COLLAGE WITH HORSE 1957 by Robert Rauschenberg — Framed art print at Zephyeer
Robert Rauschenberg, Untitled Formerly Titled Collage With Horse, 1957. Mixed-media collage on canvas. This framed print reproduces the original’s tactile layers with archival precision.
The Neo-Dada Revolution

The Artist’s Neo-Dada Period: When Trash Became Treasure

By 1957, Rauschenberg had firmly aligned himself with the Neo-Dada movement, a loose collective of artists—including Jasper Johns and John Cage—who rejected the solemnity of Abstract Expressionism in favor of irony, humor, and the everyday. His Combines, as these hybrid works were later dubbed, merged painting with three-dimensional objects, blurring the line between mediums. Untitled Formerly Titled Collage With Horse exemplifies this approach: the horse image, clipped from a magazine, floats amid stains and scribbles, its original context lost to new meanings.

The work’s title itself reflects Rauschenberg’s playful relationship with language. “Formerly Titled” suggests a history now erased, while “Untitled” strips away pretension. This linguistic game mirrors his visual strategy—layering and obscuring to force active engagement. As documented in the Tate’s archives, his studio at the time was a “laboratory of experimentation,” where a discarded sock or a crumpled newspaper might become part of a masterwork. The horse, a symbol of power and motion, here feels frozen in time, its energy redirected through Rauschenberg’s interventions.

Rauschenberg’s 1957 collages didn’t just include the world—they demanded the viewer reconstruct it. The horse isn’t a subject; it’s a fragment waiting to be reimagined.
Technical Mastery

How Rauschenberg Built a Collage That Defies Time

Layering and Obscurance

The composition hinges on strategic obscurance. The horse image, centrally placed, is partially veiled by translucent fabric and smudged charcoal, creating a push-pull effect between revelation and concealment. Rauschenberg often worked by adding and subtracting—applying paint, then wiping it away, or covering a section only to tear it back. This piece’s surface bears the scars of that process: drips, fingerprints, and erasures that document its creation.

Material as Meaning

Every element carries symbolic weight. The fabric swatches, likely salvaged from clothing or upholstery, introduce domestic texture into the high-art context. The handwritten text—indecipherable in places—hints at private narratives, while the horse, a recurring motif in Rauschenberg’s work, ties the piece to his earlier Monogram (1955–59), where a stuffed angora goat became the centerpiece. The collage’s edges remain rough, rejecting the polished finish of traditional painting.

Own This Landmark of Neo-Dada Innovation

This 30×40 cm framed print captures Rauschenberg’s layered textures with archival inks on premium matte paper, encased in a solid wood frame. Free worldwide shipping ensures it arrives ready to hang—no hidden fees, no minimum order.

Add to Cart
Design Guide

Where to Hang Rauschenberg’s Collage: A Room-by-Room Guide

This print’s dynamic contrast—dark horse against pale grounds, organic forms versus geometric tears—makes it a versatile statement piece. In a modern living room, pair it with a neutral sofa and a single bold accent color (think burnt orange or slate blue) pulled from the collage’s subtler tones. The 30×40 cm size suits a gallery wall but holds its own above a console table. For home offices, the work’s intellectual layeredness complements bookshelves or a minimalist desk; hang it at eye level to invite daily contemplation. Avoid overly busy walls—the collage’s complexity needs space to breathe. In a loft-style bedroom, contrast its raw texture with smooth bed linens and exposed brick for a downtown New York vibe.

FAQ

Frequently Asked Questions

What frame and materials are included?

Each print ships in a solid wood frame with a crisp white mat board, UV-protective acrylic glazing, and a hanging kit. The archival paper and inks resist fading for decades.

Where do you ship, and how long does delivery take?

We offer free shipping to all countries, with no minimum purchase. Delivery typically takes 5–10 business days, depending on your location.

How long will the colors stay vibrant?

The print uses pigment-based inks rated for 100+ years under museum lighting conditions. Display it away from direct sunlight to maximize longevity.

What’s your return policy?

You may return your print within 30 days of delivery for a full refund. The frame must be in original condition; we’ll cover return shipping costs.

Sources & Further Reading

  1. Museum of Modern Art. "Robert Rauschenberg: Combines." moma.org
  2. Tate. "Neo-Dada and the Legacy of Collage." tate.org.uk
  3. Smithsonian American Art Museum. "Rauschenberg’s Materials and Methods." americanart.si.edu
More by Rauschenberg

More Works by Robert Rauschenberg

Explore Rauschenberg’s boundary-pushing oeuvre through these framed prints, each capturing his signature blend of wit and material innovation.

First Landing Jump by Robert Rauschenberg
Robert Rauschenberg
First Landing Jump
View print
Untitled Glass Tires by Robert Rauschenberg
Robert Rauschenberg
Untitled Glass Tires
View print
Sulphur Bank Hoarfrost by Robert Rauschenberg
Robert Rauschenberg
Sulphur Bank Hoarfrost
View print
Riding Bikes by Robert Rauschenberg
Robert Rauschenberg
Riding Bikes
View print
You May Also Love

You May Also Love

Metaesquema 19 by Helio Oiticica
Neo-Concretism
Helio Oiticica
Metaesquema 19
View print
White Fire I by Barnett Newman
Color Field
Barnett Newman
White Fire I
View print
The Sacrifice by Theodoros Stamos
Abstract Expressionism
Theodoros Stamos
The Sacrifice
View print

Ready to Bring Rauschenberg Home?

This framed print arrives ready to hang, with free worldwide shipping and a 30-day return guarantee. The solid wood frame and archival materials ensure your collage stays vibrant for decades.

Add to Cart