Framed vs unframed art prints: a cost comparison
How much it costs to frame a Mucha print: a framed vs unframed art prints cost comparison from the same shop
Framing an unframed 50×70 cm (20×28 in) Alphonse Mucha print in a mid-tier conservation frame costs between $320 and $580, while the same print unframed ranges from $80 to $220—meaning framing adds 300–400% to the total cost, depending on materials and glazing choices.
Base print cost: unframed Mucha print price by size and process
Unframed Mucha prints vary in price based on reproduction method, paper stock, and dimensions. A standard 30×40 cm (12×16 in) offset lithograph on 170–200 gsm paper typically retails for $40–$90, while the same size as an archival giclée on 310 gsm cotton-rag ranges from $120–$180. Larger formats like 50×70 cm (20×28 in) offset lithographs cost $80–$150; giclées in that size run $200–$350.
The difference stems from production. Offset lithography, a commercial printing process, uses ink applied via metal plates to lower-cost paper. Giclée, as defined by the Fine Art Trade Guild, is a high-resolution pigment-ink process on archival substrates, yielding deeper color saturation and longevity (100+ years under proper conditions). For collectors, the International Fine Print Dealers Association notes that giclée is the preferred method for limited-edition reproductions.
Framing cost breakdown: materials and labor
Framing adds four primary cost components: the frame moulding, glazing, matting (if used), and assembly labor. For a 50×70 cm print, expect:
- Frame moulding: $80–$250. Standard profiles in wood or metal (2–4 cm width) start at $80; hand-finished hardwood or custom colors reach $250.
- Glazing: $50–$180. Acrylic (UV-filtering, 2–3 mm thick) runs $50–$90; museum-grade glass (99% UV protection, anti-reflective) is $120–$180.
- Matting: $40–$120. Acid-free, 4-ply cotton rag in neutral tones (5–8 cm border) adds $40–$70; fabric-wrapped or double mats increase to $120.
- $100–$150. Includes hinging the print, assembling components, and adding dust covers/backing boards.
Total framing for this size thus spans $270–$700, with the median ($320–$580) representing 80% of client selections. Larger formats (e.g., 70×100 cm / 28×40 in) scale proportionally, adding 40–50% to each component.
Framed vs unframed art prints cost comparison from the same shop
Using a 50×70 cm Mucha print as the baseline, the total cost differential is clear:
- Unframed offset lithograph: $80–$150
- Unframed giclée: $200–$350
- Framed offset lithograph (mid-tier): $350–$650
- Framed giclée (conservation-grade): $520–$900
The framing premium is consistent at 300–400% of the unframed price, regardless of print type. This aligns with Artsy’s 2023 Art Market report, which found that framing accounts for 60–70% of the total cost in prints under $1,000. The ratio holds for comparable works, such as Hiroshi Nagai prints in the same dimensions.
What determines a fair price: resolving the uncertainty
The underlying concern—whether a quoted price is fair—rests on three verifiable factors: material transparency, labor benchmarks, and market parity.
First, itemized invoices should specify:
- Exact moulding brand/series (e.g., Larson-Juhl 315, Roma 202)
- Glazing type (e.g., Tru Vue Optium Museum Acrylic, 99% UV block)
- Matting composition (e.g., Bainbridge Artcare Alpha Cellulose, 8-ply)
- Labor hours (typically 1.5–2.5 hours for standard framing)
Second, labor rates for certified framers average $60–$90/hour (Fine Art Trade Guild 2024 standards). A $150 labor charge thus reflects 2–2.5 hours of work, which is standard for a 50×70 cm print with matting. Third, cross-referencing with comparable providers (e.g., a New York or London framer) should yield prices within 10–15% for identical specifications.
Discrepancies beyond this range signal either premium craftsmanship (hand-gilded frames, Japanese paper hinging) or unnecessary markup. Requesting a line-item breakdown before committing is standard practice.
Finish and display considerations: matte vs glossy, placement
The choice between matte and glossy finishes affects both cost and presentation. For Mucha prints in family homes, matte is predominantly selected for its glare resistance and perceived texture alignment with the Art Nouveau style. Glossy finishes, while offering higher color saturation, reflect ambient light and show fingerprints more readily.
Cost implications are minimal at the print stage ($10–$20 premium for glossy giclées), but framing adjustments may apply:
- Matte prints pair with standard UV acrylic ($50–$90) or non-reflective glass ($120–$150).
- Glossy prints often require anti-reflective glass ($150–$180) to mitigate glare, adding 20–25% to glazing costs.
Placement dictates additional considerations. Prints hung at the standard center height (145–150 cm / 57–60 in) above furniture should adhere to the two-thirds rule: the frame width should not exceed two-thirds the width of the furniture below. For a 120 cm (48 in) console, the maximum recommended print size is 80 cm (32 in) wide.
Common questions
Is an offset lithograph or archival giclée Mucha print better for framing?
For framing, archival giclées on 310 gsm cotton-rag are superior due to their longevity (100+ years) and color stability under UV-protective glazing. Offset lithographs, while cheaper, yellow faster and lack the depth of pigment-based inks. The Fine Art Trade Guild recommends giclées for framed displays intended to last decades.
How does matte vs glossy finish affect framing costs for a family home?
Matte finishes add no premium to framing, while glossy prints often require anti-reflective glass ($150–$180), increasing total costs by ~$60 over standard UV acrylic. In family homes with variable lighting, matte is preferred for its glare resistance; glossy demands controlled lighting to avoid reflections.
What’s the price difference between framing a 30×40 cm and 50×70 cm Mucha print?
A 30×40 cm (12×16 in) print frames for $200–$400; a 50×70 cm (20×28 in) ranges from $320–$580. The larger size adds 40–50% to moulding, glazing, and matting costs due to increased material usage. Labor remains proportional (1.5–2.5 hours for either size).



Sources & further reading
Framed fine-art prints, made to last
Archival cotton-rag paper, pigment inks, hand-framed to order.
Browse the collection