Bright Day — Fine Art

Bright Day - 1966 shows a field of colour laid down in broad strokes across the sheet. The paint sits in heavy layers that push against one another and let open space sit in the middle. Betty Parsons painted with confident gestures in her studio.

The fine art frame gives this picture a clean border on the wall. The frame is available in white, wood, dark wood or black, so the edge sits plainly against the painted surface. You can choose the finish that reads best against the tones in the image.

In a narrow hallway the broad strokes pull the eye along the wall and the clear border keeps the picture from drifting. From the end of the hall you notice the weight of the paint and the quiet gap in the centre.