Summer 1965 — Fine Art

Summer 1965 shows a field of colour pushed against another colour across the sheet. Broad painted areas sit near each other with a few sharp edges. The work belongs to post war abstract painting and to the push and pull idea Hans Hofmann used.

The fine art print comes ready to hang. You see the colours meeting along a line and a hard edge where they meet. The title stays near the top of the sheet. This picture reads best where the light is even, not under a direct lamp.

A matte paper finish keeps the painted colours from shining. A dark frame on a pale wall lets the painted areas stand out, or a light frame on a darker wall gives the same balance.