Untitled #10 — Fine Art

Untitled #10 - 1986 rests on a worked ground where broad paint passages meet thinner touches. The surface carries uneven colour and visible handling rather than a smooth field. You see how Hassel Smith builds a picture through layers and movement instead of a fixed outline. The marks vary in density and the ground holds them together.

This fine art print sits in a frame with a back panel and arrives assembled when you choose the ready to hang option. The matte paper keeps the paint colours steady under a lamp and stops glare from flattening the layered surface.

It works on a kitchen wall above the sink where the morning light falls across the painted ground. From the table you notice the uneven colour patches, and from the doorway you take in the full spread of marks.