Untitled — Fine Art

Untitled by Pedro Coronel uses broad strokes and deep tones that build a thick surface. The shapes press forward and leave gaps between them. Pedro Coronel often worked with thick paint and a direct hand, so the marks feel worked rather than neat.

The fine art print is mounted in a frame you can match to the room. A light frame on a dark wall separates the shapes, while a dark frame on a pale wall pushes them back. The matte paper holds the darker patches without a shine under a lamp.

On a kitchen wall near the window, the darker strokes read from the table and the smaller marks show when you walk past. The frame finish can follow the room, so you choose what suits the space.