Untitled — Fine Art

Broad painted bands in muted tones run across a plain ground in Untitled - 1961. The brushwork moves in layers with soft edges and a few drawn marks.

You get the fine art print with a hanger already on the back. Robert Goodnough worked this way in his abstract painting practice. The black frame gives the picture a clear edge against the image. You see the painted bands hold their own against the dark wood.

The edge keeps the colour field from spilling into the room. A narrow hall wall works well for this print. Morning light catches the pale bands and the dark frame sits steady there.