Micro Painting 1968 by Gene Davis
Micro Painting
A striking example of Gene Davis's exploration of color and form, this 1968 composition exemplifies the artist's signature approach to abstract painting. The print captures the original's vibrant palette and precise geometry.
Gene Davis's Micro Painting (1968): Precision in Abstract Color
Gene Davis's "Micro Painting" from 1968 represents a pivotal moment in the artist's exploration of color field painting. The work exemplifies Davis's characteristic approach to abstraction through precisely arranged color fields and geometric forms. This composition demonstrates the artist's mastery of visual balance and chromatic intensity.
The 1968 work emerges from Davis's most productive period, when he was refining his distinctive style of hard-edged abstraction. The painting's title suggests a focus on small-scale details within the larger composition, inviting viewers to examine the interplay of color and form at both macro and micro levels.
The Washington Color School and Gene Davis
Gene Davis emerged as a leading figure in the Washington Color School during the 1960s, alongside artists like Kenneth Noland and Morris Louis. This movement emphasized large fields of pure color as the primary subject of painting, rejecting the gestural abstraction of the New York School.
"Micro Painting" exemplifies Davis's departure from the Washington Color School's typical large-scale works. The composition focuses on intricate color relationships within a constrained format, demonstrating the artist's ability to create visual complexity through precise color placement rather than expansive canvases.
The Technique Behind Micro Painting
Composition and Structure
The work employs Davis's signature approach to geometric abstraction, using carefully measured forms to create visual rhythm. Unlike his better-known stripe paintings, this composition incorporates more varied shapes while maintaining strict geometric discipline.
Chromatic Innovation
Davis achieves remarkable visual vibration through his selection of adjacent colors. The palette demonstrates his understanding of how hues interact optically, creating the illusion of movement through purely static elements.
Print & Frame Details
| Artist | Gene Davis |
| Original Year | 1968 |
| Art Style | Color Field Painting |
| Subject Matter | Abstract Composition |
| Size | 30×40 cm (12×16") |
| Print Method | Framed Poster |
| Paper | Hahnemühle Photo Rag 308 gsm |
| Frame | Natural wood with conservation-grade materials |
| Glazing | UV-protective acrylic |
| Shipping | Free worldwide shipping |
| Returns | 30-day return policy |
Own This Icon of Color Field Painting
Bring home Gene Davis's Micro Painting as a museum-quality framed art print. Each print includes premium framing and free worldwide shipping.
View Print DetailsDisplaying Micro Painting in Contemporary Spaces
The 30×40 cm format of this print makes it ideal for modern interiors. The abstract composition works particularly well in spaces with neutral wall colors, where the vibrant palette can become a focal point. Consider placing this work in living areas, offices, or galleries where its geometric forms can complement contemporary furnishings.
Yes, each print comes with a premium frame included. The frame is crafted from solid wood with archival-quality materials to preserve the artwork.
Yes, we offer free worldwide shipping on every order with no minimum purchase required. Delivery typically takes 5-10 business days.
Our prints are made using giclée printing on Hahnemühle Photo Rag paper, an archival-quality material that preserves color vibrancy for decades.
We offer a 30-day return policy with no restocking fees. If you're not completely satisfied with your purchase, you may return it within 30 days for a full refund.
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