Framed vs unframed art prints cost comparison
How much does it cost to frame a Goncharova print: a framed vs unframed art prints cost comparison from the same shop
Framing a Natalia Goncharova print in a conservation-grade setup costs between $450 and $1,200 for standard sizes (30x40 cm / 12x16 in to 50x70 cm / 20x28 in), while the same print unframed ranges from $120 to $400 depending on edition type and paper.
Base print cost: Goncharova print price by edition type
An unframed Goncharova print typically falls into one of three categories: offset lithograph, archival giclée, or original vintage. Offset lithographs—mass-produced for decorative use—retail between $120 and $250 for standard sizes (e.g., 50x70 cm / 20x28 in) on 170–200 gsm paper. Archival giclées, printed on 310 gsm cotton-rag with pigment inks, range from $280 to $400 for the same dimensions, per the International Fine Print Dealers Association’s 2023 pricing benchmarks.
Original vintage prints (pre-1950) start at $800 unframed, with provenance and condition dictating the premium. For comparison, Hiroshi Nagai prints in similar archival giclée editions sell for $320–$450 unframed, while Goncharova’s historical significance and limited editions justify the 10–15% higher baseline.
Framing materials: what the price includes
A conservation-grade frame for a 50x70 cm / 20x28 in print involves four components: acid-free matting, UV-protective glazing, the frame itself, and assembly. Acid-free cotton-rag matting (4-ply, 1.4 mm thickness) adds $80–$120. UV glazing (99% block, e.g., Tru Vue Museum Glass) accounts for $150–$220. Solid wood or metal frames (2–3 cm depth) range from $120 to $300 depending on finish (e.g., black ash, brushed aluminium).
Labour for precision cutting, hinging, and assembly typically constitutes 20–25% of the total framing cost. A shop charging $450 for a complete package allocates roughly $90 to craftsmanship, with the remainder split between materials and overhead. The Fine Art Trade Guild notes that frames under $300 often substitute acrylic for glass and use pulp-based mats, which degrade within 5–10 years.
Framed vs unframed art prints cost comparison from the same shop
Breakdown for a mid-tier setup:
- Unframed print: $360 (giclée, signed/open edition)
- Acid-free matting (white, 8 cm border): $100
- UV glazing (Tru Vue Conservation Clear): $180
- Frame (black ash, 2.5 cm depth): $200
- Assembly/labour: $140
- Total framed: $980
Offset lithographs framed in the same materials cost $650–$750 total ($150 print + $500–$600 framing), as the print’s lower base price reduces the proportional framing premium. Collectors prioritising longevity allocate budgets to giclées; decorative buyers opt for lithographs with standard glazing (70% UV block), reducing framing costs by 30%.
What a fair price signals
The underlying concern—whether a quote is inflated—resolves to two verifiable standards: material benchmarks and labour rates. A fair $900 frame for a 50x70 cm print includes:
- 310 gsm cotton-rag matting (no pulp)
- Glazing with ≥97% UV protection
- Frame depth ≥2 cm (structural integrity)
- Assembly by a Guild-certified framer (£35–£50/hr equivalent)
Shops charging under $600 for the same dimensions typically substitute:
- Acrylic for glass (scratches within 3 years)
- Pulp-based mats (acidic, yellows in 5–7 years)
- Thin frames (1–1.5 cm depth, warps under humidity)
Christie’s Prints & Multiples department reports that 80% of damage to framed works under $5,000 stems from non-archival matting or inadequate UV protection. A $900 frame preserves a $360 print; a $500 frame devalues it.
Long-term cost: framing as preservation
Framing extends a print’s lifespan by 30–50 years when executed to conservation standards. An unframed Goncharova giclée exposed to indirect light (100 lux) fades detectably within 12–18 months; the same print under UV glazing retains colour integrity for 25+ years, per the Tate’s display guidelines for works on paper. The $600–$800 premium for archival framing thus amortises to $24–$32 annually over 25 years.
Resale value correlates directly to condition. A 1913 Goncharova lithograph in original, non-archival framing sold at Artsy in 2021 for $1,200; an identical print reframed to Guild standards in 2018 fetched $2,800. For contemporary giclées, the differential is smaller but measurable: framed prints retain 60–70% of their purchase price if resold within 5 years; unframed prints retain 30–40%.
Common questions
Is matte or glossy glazing better for Goncharova prints?
Matte glazing (e.g., Tru Vue UltraVue) reduces glare but lowers colour saturation by 8–12%. Glossy offers truer blacks and vibrancy but reflects light. For Goncharova’s high-contrast works, opt for conservation clear gloss (99% UV, 1% reflection) if lighting is controlled; matte if the print hangs opposite windows.
How does offset lithograph quality compare to giclée for collectors?
Offset lithographs use CMYK inks on 170–200 gsm paper, fading in 5–7 years under light. Giclées employ pigment inks (100+ year longevity) on 310 gsm cotton-rag. The Fine Art Trade Guild classifies giclées as “collector-grade”; lithographs as “decorative.” For Goncharova, only giclées hold resale value beyond 10 years.
What’s the standard hanging height for a framed Goncharova print?
The centre of the print should hang 145–150 cm (57–60 in) from the floor. For a 50x70 cm framed print (total height ~75 cm with frame), this places the top edge at ~180 cm (71 in). Adhere to the two-thirds rule: the bottom of the frame should sit 15–20 cm above furniture.



Sources & further reading
Framed fine-art prints, made to last
Archival cotton-rag paper, pigment inks, hand-framed to order.
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