1+2+3+4 In Weiss by Max Bill (1969)

Four white squares intersect on a white field in Max Bill's 1+2+3+4 In Weiss. The artwork is a study in precision and simplicity, where the boundaries of each square create a subtle interplay of lines and shapes. The overlapping squares form a central pattern that draws the eye, their edges creating secondary geometric forms. Despite the monochromatic palette, the composition feels dynamic, as if the squares are in quiet motion. The stark white background enhances the clarity and focus of the intersecting shapes. This poster suits a modern living space with clean lines and minimal decor. It invites contemplation in a quiet corner or study.