#3 — Fine Art

Bold geometric forms fill the sheet in #3 - 1969, with blocks of colour set against a worked background. Karl Benjamin built his pictures from flat painted areas and hard edges, and this one follows that same method. The composition stays balanced without looking quiet.

This fine art print arrives ready to hang, with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame is needed. The paper takes the flat colour areas without adding shine, so the painted look stays even under room light.

It works on a bedroom wall above a low bed. From the doorway you see the biggest colour block first, and closer up the edges between the forms stay clear.