Everywhere Eyeballs Are Aflame 1888 — Fine Art

The opening of Everywhere Eyeballs Are Aflame 1888 by Odilon Redon uses dark tones and repeated round shapes to build a strange mood. The marks follow a symbolist practice where simple forms carry a heavy feeling. The paper stays matte so the shadows do not glare under a lamp.

This fine art print arrives ready to hang with a metal hanger on the back that fits onto a nail or screw. No separate frame is needed. The smooth surface keeps the dark rounds reading clearly from a short distance.

It sits on a bedroom wall above the bed where the round shapes catch the morning light from the left window. From the doorway you see the spread of dark forms, and stepping closer you notice the small variations in the shading.