Sublimation 2002 3 — Fine Art

Sublimation 2002 3 shows a pale ground with dark ink pooled into uneven shapes. Thin drawn lines cross the field and leave more space than mark. The eye settles on the largest dark area first, then moves across the lighter gaps.

The fine art print sits on a matte paper that keeps the greys soft and the ink tones from shining under a lamp. A light frame on a dark wall keeps the pale ground open, or a dark frame on a pale wall lets the drawn lines stand apart.

It reads well on a hallway wall where the light changes through the day. From the landing you see the big dark forms, and closer you notice the thin pencil lines crossing them. The quiet marks stay readable without drawing attention from the rest of the room.