Synthetic Construction White and Black 1966 — Fine Art

White and black painted shapes sit on top of each other in Synthetic Construction White and Black 1966. The forms look built out of straight lines and hard edges drawn from Victor Pasmore abstract construction work. You see the laid down paint and the smooth surface that follows it.

The fine art print goes straight onto a nail. The print arrives ready to hang with a metal hanger on the back that goes straight onto a nail or screw. No separate frame to buy.

From the hallway you notice the white parts first as you walk past. By the front door the large black blocks hold the eye while the small white cut outs sit to the side. The picture stays calm on the wall.