Untitled - 1959 by Charles Lapicque — Framed art print at Zephyeer
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Framed print · hanging hardware · care card

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Zephyeer — Fine Art Editions

Untitled — 1959

by Charles Lapicque

$249.99

Modern Art Print
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About this work

Untitled

Immerse yourself in the world of Untitled (1959) by Charles Lapicque. Charles Lapicque's masterful use of pattern makes this print a true conversation starter.

Perfect for modern living rooms, sophisticated offices, or curated gallery walls. Printed on premium archival paper with vivid, fade-resistant inks for lasting beauty.

Each framed print features sustainably sourced solid wood framing, shatter-resistant plexiglass, and arrives ready to hang — no assembly required.

Learn more about Charles Lapicque

Specifications

MediumArchival Giclée
Paper310 gsm Hahnemühle
GlazingUV Anti-reflective
FrameSolid wood moulding
HangingHardware included
ColourD65 calibrated
OriginProduced in EU

Information

Frequently asked

Every piece arrives ready to hang. The print is produced on 310 gsm Hahnemühle fine art paper with archival pigment inks (200+ year fade rating), set behind 2mm UV anti-reflective acrylic, and hand-finished in a sustainably sourced solid wood frame with mounting hardware pre-installed.
As a guide: 40×50 cm suits a desk or small wall, 50×70 cm sits well above a sofa or bed, and 70×100 cm anchors a room as a focal piece. If you'd like advice for your space, send us your dimensions and we'll recommend a size.
Orders are hand-assembled and dispatched within 3 business days, then shipped tracked: 5–7 business days within the US, UK and EU, and 7–14 business days for international destinations. Full details in our shipping policy.
We accept change-of-mind returns within 30 days, and any damaged or incorrect items are replaced free of charge within 14 days. See our refund policy for the full process.
Yes — bespoke sizes up to 70×100 cm and specialty frame finishes are available on request. Most custom orders are completed in 10–14 business days. Get in touch with your requirements.

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