Untitled 1982 — Fine Art

Untitled 1982 by Milton Resnick gives the paper a thick layer of paint worked with pressure and speed. The brush moves in broad strokes that slow down and pile up where the hand stops. You can follow the path of each pass from one edge to the next.

This fine art print is ready to hang on arrival. A white frame gives Untitled 1982 a clean edge on the wall. The white finish sits flat against the painted surface so the frame does not compete with the colour. The frame leaves a clear border around the image.

In a study the print hangs on a pale wall near a desk lamp. From the desk you see the broad paint layers across the sheet. Step closer and the marks show where the brush pressed harder and lifted off.