Untitled February 4 — Fine Art

Untitled February 4 - 1967 by Lorser Feitelson reads as a hard edge painting with solid colour planes set beside one another. The surface holds clean flat tones without blending.

This fine art print arrives with a frame in white, wood, dark wood or black. The frame gives the picture a clear edge on the wall. Against these flat colour blocks the frame finish sits as a simple border that divides the image from the wall.

In a study room on a side wall, the colour planes hold their own space. Near the desk you notice each flat tone more clearly than from the doorway. The print stays quiet on the wall and the frame edge keeps the layout easy to read.