Untitled — Fine Art

Untitled - 1964 sits on a clean ground with a single flat band of colour running through the sheet. The line holds a steady weight and the paint keeps a clean tone across the surface. Lorser Feitelson worked in hard edge painting during the post war american abstract period.

The fine art print goes straight onto a nail. The print arrives ready to hang, with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame to buy.

In a narrow hallway near the front door, the flat band reads clearly from the coat hooks. The metal hanger stays out of sight. You notice the steady line and the quiet ground each time you pass.