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Zephyeer∞
Museum-grade prints
brought into the rooms
where life happens.
For too long, owning museum-grade art at home meant one of two things — spending fortunes at auction, or settling for thin paper, dull color, and frames that warped within a season. We refused the compromise. Zephyeer was founded to close that gap, bringing the standards of the Metropolitan, the Rijksmuseum, and the Art Institute of Chicago into ordinary walls.
The Collection
New works are added only when a piece earns its place. We curate slowly and deliberately — never to fill space.
The Poster Edition.
Now available, unframed. The same archival cotton-rag stock and museum-grade pigment as our framed editions — released as standalone posters across new artists, from Heade's botanicals to Mary Corse's Light & Space.
An absolute standard.
Every Zephyeer print — framed or unframed — is reproduced on the same archival cotton-rag stock, color-calibrated against original museum archives.
Built to museum archival specifications — engineered to remain unchanged for over two centuries.-
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250gsm Cotton-Rag Paper
Fine art stock with a natural cream tooth. Sourced from a single European mill that has supplied institutional archives for over a century.
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Archival Pigment Inks
Twelve-channel pigment, not dye. Color-calibrated frame-by-frame against original museum reference scans. No drift. No compromise.
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Solid Wood & Aluminum Frames
Kiln-dried hardwood or aerospace-grade aluminum, hand-finished. Never composite, never warping. Acrylic glazing blocks 99% of UV.
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Two Centuries, Guaranteed
Tested to the same longevity standards used by national archives. The print on your wall today will look identical to your great-great-grandchildren's.
The canon, as we hang it.
Closer to you.
Zephyeer operates a distributed print network across the United States, the United Kingdom, and the European Union. Shorter routes. Faster delivery. A lower carbon footprint, by design.
Every order ships free, worldwide, with no minimum. The work leaves our atelier within seventy-two hours, packaged the way museums move pieces in transit.