Compositions II 1964 — Fine Art

Compositions II 1964 breaks space into flat panels with thick black outlines. Bold colours sit next to empty zones, and the eye moves along the edge where one shape stops and another starts. The layout looks built from separate blocks rather than a single scene.

This fine art print arrives ready to hang, with a metal hanger fixed to the back. You press it straight onto a nail or screw, and the piece goes up without a frame. The matte surface keeps the paint colours steady under a lamp.

Hang it in a study corner above a shelf of books. From the desk you see the sharp outlines and the gaps between them. From the doorway the panel looks balanced on the wall.