Untitled 1982 2 — Fine Art

Bold black lines run across the page in Untitled 1982 2 by Keith Haring. The marks move quickly, with some strokes pressed harder than others. A few shapes sit near the edge and the rest of the ground stays open.

You get fine art with a clear frame edge on the wall. The white frame finish sits close to the lines and does not pull them apart. The paper stays matte so the black edges do not turn shiny under the bulb.

It fits above a tall bookcase in a study. From the desk you catch the moving lines first. As you stand up, the frame edge reads as a straight cut against the paint.