Untitled — Fine Art

Untitled - 1959 works with two colour fields set against each other. A warm ochre band pushes across a cooler grey ground. The edge between them holds a narrow line of dark brown. The two tones sit close, so the surface reads as one flat shape rather than a layered scene.

This fine art print arrives ready to hang, with a metal hanger fixed to the back that goes straight onto a nail or screw. No separate frame is needed.

In a small study above a desk the ochre band catches the ceiling light first. From the door you notice the dark brown line and the grey field behind it, before you step closer to see the even tone across the sheet.