Harmony of Opposites 1986 — Fine Art

Coloured flat shapes sit on a pale ground in Harmony of Opposites 1986. Victor Pasmore built these forms with broad colour blocks and clear edges. The picture reads as a simple arrangement of coloured fields.

This fine art print is ready to hang on arrival. The frame finish follows the room. A light frame on a dark wall, a dark frame on a pale wall, or a wood frame beside wooden furniture. The surface is matte, so the flat colour blocks stay even without shine.

It suits a landing wall. From the stair you see the broad shapes, and the colours hold at a distance. The matte surface does not catch the light there.