1234 in Weiss — Fine Art

1234 in Weiss - 1969 by Max Bill shows a pale field with numbered shapes laid out in a steady row. The marks sit in a clear line, each one set apart from the next. The work follows the concrete art movement, where form comes from simple geometry rather than from a scene.

The fine art print comes ready to hang. The sheet arrives ready to hang, with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame to buy. The finish stays flat so the numbered shapes read without shine under a lamp.

It suits a long hallway wall where you pass it every day. From the far end you notice the row of shapes first, then the small gaps between them as you walk past.