Corinth — Fine Art

A pale blue field holds thin dark lines that run across the sheet in Corinth - 1959. The blues stay low and the lines stay quiet, so the picture feels open rather than busy. Theodoros Stamos often worked with simple shapes and a small range of tones, and that habit shows here.

This fine art print sits on matte paper, so the pale blues do not turn shiny under strong light. You can hang it on a pale wall with a light frame, or on a darker wall with a dark frame to match the wood in the room.

It hangs on the wall in a study above a plain desk. From the doorway the blue field stays flat and calm, and the dark lines read as simple lines rather than detail.