N Mero 148 1959 — Fine Art

A broad sweep of black paint runs across the sheet in N Mero 148 1959 by Luis Feito. The paint sits thick in places and breaks thinner at the edge, leaving a rough path where the brush moved quickly. The rest of the paper stays open and pale.

This fine art print arrives ready to hang, with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame to buy. The matte paper keeps the black paint reading as flat paint rather than shine.

On a dining room wall near the table, the dark band sits low and the pale paper holds the light from the pendant lamp. You see the thick edge of the stroke when you stand by the sideboard.