Ninth Stone 1968 — Fine Art

Ninth Stone 1968 shows layered shapes pressed into a dark field, with rough edges and a dense center. The marks look built up from repeated lines and cuts. Lee Bontecou worked in this way, stacking forms rather than painting flat planes.

This fine art print arrives ready to hang, with a metal hanger fixed to the back. You can place it on a nail without adding a frame. The unglazed paper keeps the dark tones even and stops a sharp sheen from forming.

Hang it in a narrow study corridor where the light falls across the surface. From that distance you notice the rough cut edges before you see the center shape. The metal hanger sits flush against the plaster.