Nonobjective II 1964 — Fine Art

Nonobjective II 1964 shows colour blocks set beside each other with black outlines around each shape. The marks come from the pop art style of Roy Lichtenstein, where flat colour meets a clear graphic edge. The surface reads like a painted gesture turned into a print.

This product is a fine art print set in a frame with a back panel. The paper stays matte, so the flat colour blocks keep their tone and the outlines stay sharp without a shine. You see the graphic edge of Nonobjective II 1964 without reflection under a lamp.

In a dining room, the dark outlines read from the doorway and the colour blocks start to separate up close. The flat green and red tones sit against the pale wall above the sideboard.