Not Identified 12 — Fine Art

Not Identified 12 shows a portrait set against a simple ground. The paint sits in quick layers across the canvas. Moise Kisling worked in a Paris studio practice during the early twentieth century. The scene stays quiet and the faces stay close.

The fine art print goes straight onto a nail. A metal hanger is fitted to the back and the print goes straight onto a nail without a separate frame. The paper is matte so the paint tones do not shine under a bulb. You see the painted face plainly on the wall.

In a bedroom the picture rests above the bed head. From the doorway the painted face reads first. Step closer and the quick paint strokes show in the skin tones.