Rock Chamber 1929 — Fine Art

A cool blue plane sits behind a few hard stone tones in Rock Chamber 1929. The forms lean left and right, as if stacked against each other. Paul Klee keeps the surface calm with flat colour and a few measured marks that hold the tone down.

The fine art print arrives ready to hang with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame to buy. That plain bar lets the blue field stay loose on the wall.

In the linen closet between two shelves the blue field reads as a cool patch against the painted door. From the end of the hall you see the hard stone shapes, near the door you notice the measured marks.