Untitled — Fine Art

Untitled - 1956 shows a painted field with broad strokes laid over a neutral ground. The brush passes leave uneven edges and build a quiet surface. You see the hand move across the sheet and stop at the edges.

The print comes with a fine art finish on matte paper. The finish keeps the paint tones soft and does not throw a shine under the light. A light frame sits well on a dark wall.

It works on the wall beside a reading chair in a small study. The painted field sits low on the wall where the lamp throws a warm angle over the marks.