Untitled L 12 — Fine Art

Lines of charcoal run across the sheet in Untitled L 12 - 1957. The strokes move in quick sweeps, some darker than the others, with clear gaps between them. Hans Hartung worked with fast marks on a plain ground, and this sheet keeps that direct calligraphic feel.

A fine art print sits in a frame with a back panel, ready to hang when the option is used. The matte paper keeps the greys flat and stops glare from a lamp, so the drawing reads the same way each time you stand near it.

On a hallway wall, you notice the darker lines first, then the finer marks as you pass by. The print holds its own without crowding the passage.