Untitled, No. 5 — Fine Art

Untitled, No. 5 - 1951 by Forrest Bess places a small painted shape on a plain ground. The paint sits in the middle and the surrounding area stays open.

Soft tones hold together without sharp contrast. A fine art print keeps the quiet balance of the original field. The frame finish can follow the room, so a wood frame sits well beside wooden furniture.

It works on a hallway wall where the light falls evenly. From the far end you notice the centered shape first. A fine art print stays steady on the plaster near the coat hooks.