Untitled The Block — Fine Art

A solid painted block sits against a plain ground in Untitled The Block - 1963. The flat colour field fills most of the sheet and leaves a wide band of empty space around it.

The fine art print uses a matte finish, so the painted tone stays even and the edge stays sharp without a shine. You can match the frame to the room, a light finish on a dark wall or a wood finish beside wooden furniture. The flat colour field keeps its shape on any wall.

It works on a landing wall where the light comes from one side. The block shape sits in the middle of the wall and the empty band stays open. From the stair you read the whole form before you notice the small variations near the edge.