Tenth Stone (1968)

Tenth Stone: Lee Bontecou's Exploration of Cosmic Forms

Lee Bontecou's "Tenth Stone" (1968) represents a pivotal moment in her artistic journey, where she delved deeper into the interplay between geological formations and cosmic phenomena. This framed art print captures Bontecou's signature style, characterized by organic shapes that seem to emerge from the darkness, suggesting both microscopic cellular structures and vast astronomical forms.

The artwork's title, "Tenth Stone," hints at a series or sequence, possibly referencing the artist's ongoing exploration of natural elements. Bontecou's work from this period often featured a stark contrast between light and dark, with intricate textures that invite close examination. This particular piece exemplifies her ability to create a sense of depth and dimension on a two-dimensional surface, a hallmark of her printmaking technique.

Lee Bontecou in the Late 1960s: A Period of Cosmic Inquiry

By the late 1960s, Lee Bontecou had established herself as a significant figure in the abstract expressionist movement, though her work defied easy categorization. During this period, her artistic focus shifted from the large-scale sculptures that had made her famous to more intimate printmaking. "Tenth Stone" emerges from this phase of creative exploration, where Bontecou's interest in astronomy and geology became increasingly prominent.

Bontecou's work from this era often featured a reduced color palette dominated by blacks, whites, and earth tones, allowing the intricate textures and forms to take center stage. Her prints from this period share a visual language with her sculptures, featuring similar organic shapes and a sense of three-dimensionality. This consistency across media underscores the coherence of her artistic vision, as she sought to capture the fundamental forces of nature in her work.

The Making of Tenth Stone: Technique and Texture

Composition and Form

Lee Bontecou's approach to composition in "Tenth Stone" demonstrates her mastery of balance and contrast. The artwork likely employs a central void or negative space, a recurring motif in her work that creates a focal point drawing the viewer's eye. This void is surrounded by organic forms that radiate outward, suggesting both growth and erosion processes found in nature.

Color and Contrast

Bontecou's use of color in this print is characteristically restrained, with a dominance of dark tones punctuated by lighter accents. This contrast enhances the textural qualities of the print, creating a sense of depth and dimension. The artist's technique likely involved layering inks to achieve the rich, complex surfaces that are a hallmark of her printmaking.

Print & Frame Details

Styling Tenth Stone: A Modern Art Statement

Lee Bontecou's "Tenth Stone" makes a striking statement in contemporary interiors. The print's dark tones and organic forms create a dramatic focal point that works particularly well in modern and minimalist spaces. Consider placing this artwork in a living room with neutral walls and furnishings to allow the print's textures and contrasts to take center stage.

The 30×40 cm size makes this print versatile for various wall spaces. It pairs especially well with mid-century modern decor, where the organic forms of the artwork complement the clean lines of the furniture. For a more eclectic look, combine "Tenth Stone" with other abstract works or natural elements like stone sculptures or wooden accents.

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