Einheit Aus Drei Gleichen Zylindern 1966 by Max Bill
Einheit Aus Drei Gleichen Zylindern (1966)
A geometric masterpiece from Max Bill's Concrete Art period, featuring three identical cylindrical forms in precise arrangement. Museum-quality framed print with free worldwide shipping.
About the Artwork: Geometric Precision in Concrete Art
Created in 1966, 'Einheit Aus Drei Gleichen Zylindern' stands as a pivotal work in Max Bill's exploration of geometric abstraction. The painting features three identical cylindrical forms arranged in a precise triangular configuration, demonstrating Bill's commitment to mathematical proportions in art. This piece emerged during a period when Bill was refining his theories of Concrete Art, moving away from representational forms toward pure geometric expression. The cylindrical shapes, rendered with crisp edges and uniform color, create a sense of spatial depth while maintaining visual balance. Bill's work from this era often investigated how simple geometric elements could produce complex visual relationships, and this painting exemplifies that approach through its carefully calibrated arrangement.
The 1960s marked a period when Bill was also working on architectural projects and teaching at the Hochschule für Gestaltung in Ulm, where he developed his theories of visual perception. This painting can be seen as a visual manifestation of his belief that art should be constructed from universal elements rather than derived from observation. The composition's clarity and precision reflect Bill's architectural training at the Bauhaus, where he studied under masters like Paul Klee and Wassily Kandinsky.
Max Bill and the Concrete Art Movement
Max Bill's contribution to Concrete Art in the mid-20th century established him as one of the movement's leading figures. Unlike abstract styles that distilled natural forms, Concrete Art begins with geometric elements as its fundamental building blocks. 'Einheit Aus Drei Gleichen Zylindern' exemplifies this principle through its use of identical cylindrical forms as the sole visual vocabulary. The work reflects Bill's architectural training, evident in the precise spatial relationships between the forms.
Bill's artistic philosophy was shaped by his studies at the Bauhaus and later teaching at the Ulm School of Design. His 1936 manifesto defined Concrete Art as art constructed from universal elements according to mathematical principles. This painting from 1966 demonstrates Bill's mature approach to these ideas, where geometric forms create visual harmony through their arrangement rather than through representational content.
Artistic Technique and Composition
Geometric Arrangement
Bill positions the three cylinders at equal distances from each other, forming an equilateral triangle that creates visual stability. The arrangement demonstrates his principle that artistic harmony arises from geometric precision rather than intuitive placement. The negative space between forms becomes as significant as the cylinders themselves.
Color and Form
The work's limited color palette focuses attention on form and spatial relationships. Bill applies a uniform tone to all three cylinders, eliminating visual hierarchy and emphasizing the composition's structural qualities. This approach reflects his belief that color should serve the overall geometric concept rather than express emotional content.
Print and Frame Details
| Artist | Max Bill |
| Original Year | 1966 |
| Art Style | Concrete Art |
| Subject Matter | Abstract composition |
| Size | 30×40 cm (12×16 in) |
| Print Method | Framed Poster |
| Paper | 300gsm archival matte |
| Frame | Sustainable hardwood with acid-free mat |
| Glazing | UV-protective acrylic |
| Shipping | Free worldwide on all orders |
| Returns | 30-day refund policy |
Own This Icon of Concrete Art
Bring Max Bill's geometric mastery into your space with museum-quality framing and free worldwide shipping.
VIEW PRINT DETAILSInterior Design Guide
The geometric clarity of 'Einheit Aus Drei Gleichen Zylindern' makes it particularly suited to contemporary spaces. In living rooms with neutral color schemes, the print's cylindrical forms echo the clean lines of modern furniture. For home offices or studies, the composition's balance complements minimalist workspaces. The 30×40 cm size works well in smaller spaces like apartments or as part of a curated wall display in larger rooms. When pairing with other artworks, consider pieces with similar geometric vocabularies or contrasting organic forms to create visual dialogue. The print's muted color palette allows it to integrate with both monochromatic and color-accented interiors.
Frequently Asked Questions
Is the frame included with the print?
Yes, every print comes with a premium frame included at no additional cost. Our frames are handcrafted from sustainable hardwood and feature an acid-free mat to protect the artwork.
Where do you ship and how long does delivery take?
We ship to all countries worldwide with no minimum purchase required. Delivery typically takes 5-10 business days, with tracking provided for every order.
What paper and printing methods ensure quality?
We use 300gsm archival matte paper with a smooth surface optimized for giclée printing. This combination preserves color accuracy and detail resolution for decades without fading.
What is your return policy?
You may return your framed print within 30 days of delivery for any reason. We provide a full refund including original shipping costs, with no restocking fees.
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