Red Blue and Grey Post Painterly Abstraction by Robert Goodnough
Red Blue And Grey Post Painterly Abstraction
Not documented · Abstract Composition · Museum-Quality Framed PrintThe Dynamic Interplay of Color in Robert Goodnough's Abstraction
"Red, Blue and Grey - Post-Painterly Abstraction" by Robert Goodnough is a striking example of the artist's exploration of color and form. Created during a period when abstract art was undergoing significant transformation, this work captures Goodnough's unique approach to composition and color theory. The painting is characterized by its bold use of primary colors—red and blue—against a neutral grey background, creating a dynamic visual tension that draws the viewer's eye.
Goodnough was associated with the Post-Painterly Abstraction movement, which emerged as a reaction against the gestural brushwork of Abstract Expressionism. This piece, with its clean lines and flat planes of color, exemplifies the movement's emphasis on clarity and precision. The artwork's title itself suggests a focus on the fundamental elements of painting: color and form, stripped of any representational content. The use of primary colors against a grey backdrop creates a dynamic interplay that is both immediate and contemplative.
Robert Goodnough: Pioneering a New Abstract Language
Robert Goodnough was a key figure in the transition from Abstract Expressionism to the more restrained and geometric style of Post-Painterly Abstraction. Born in 1917, Goodnough began his artistic career in the 1940s, initially working in a more expressionist manner before evolving towards the abstract style for which he is best known. His work is characterized by a rigorous exploration of color relationships and compositional balance.
By the 1950s and 60s, Goodnough had become associated with the Color Field painters, though his work retained a distinct personal style. Unlike some of his contemporaries who focused on large, monochromatic fields of color, Goodnough often employed a more complex interplay of shapes and hues. This period was marked by a rejection of the emotional intensity of Abstract Expressionism in favor of a more cerebral approach to painting.
"Red, Blue and Grey - Post-Painterly Abstraction" likely dates from this period of Goodnough's career, when he was fully engaged with the possibilities of abstract composition. The work reflects his interest in creating visual experiences that are both immediate and contemplative, inviting viewers to explore the relationships between color and form. Goodnough's work from this period is often characterized by its use of bold, flat colors and geometric forms, as seen in this piece.
The Language of Color and Form
Composition
The composition of "Red, Blue and Grey" is characterized by a careful balance of geometric forms. Goodnough divides the canvas into distinct areas of color, with the red and blue shapes occupying equal visual weight against the grey background. The shapes themselves are not strictly geometric but have an organic quality that softens the overall effect. This balance between geometric precision and organic form is a hallmark of Goodnough's work.
Color Palette
The color palette in this work is limited but highly effective. Goodnough uses red and blue in their purest forms, creating a vibrant contrast against the neutral grey. This contrast between saturated and muted tones is a key feature of Goodnough's approach to color. The use of primary colors also reflects the artist's interest in the fundamental elements of painting, stripped of any representational content.
Technique
Goodnough's technique in this work involves the application of flat areas of color with minimal visible brushwork. This approach is consistent with the Post-Painterly Abstraction movement's emphasis on the physical properties of paint and color rather than expressive brushstrokes. The edges of the shapes are crisp and clean, suggesting the use of masking or careful application of paint. This technique gives the work a sense of precision and control, while still allowing for a dynamic interplay of colors and forms.
Print & Frame Details
| Artist | Robert Goodnough |
| Original Year | Not documented |
| Art Style | Post-Painterly Abstraction |
| Subject Matter | Abstract Composition |
| Size | 30×40 cm (12×16") |
| Print Method | Framed Poster |
| Paper | Museum-quality archival paper |
| Frame | High-quality wooden frame |
| Glazing | UV-protective glazing |
| Shipping | Free worldwide shipping |
| Returns | 30-day return policy |
Own This Icon of Abstract Art
Bring home a piece of art history with this museum-quality framed print. Each print is crafted with archival inks on premium paper, framed in high-quality wood, and shipped worldwide for free.
View Print DetailsDisplaying Your Robert Goodnough Print
The bold colors and geometric composition of this Robert Goodnough print make it a versatile addition to a variety of interior styles. The 30x40 cm size is ideal for both small and large spaces, making a statement without overwhelming the room. Consider placing this print in a living room, study, or hallway where its vibrant colors can be appreciated.
To complement this print, consider pairing it with furniture in neutral tones to allow the colors to stand out. The red and blue hues in the print can be echoed in accent pieces such as throw pillows or rugs, creating a cohesive color scheme. Alternatively, for a more contemporary look, pair the print with furniture in complementary colors, such as a deep blue sofa or a red accent chair. The grey background in the print allows it to work well with both warm and cool color palettes.
Frequently Asked Questions
What sizes are available for this print?
This print is available in one size: 30x40 cm (12x16 inches).
Is the frame included, and what is its quality?
Yes, the frame is included with every print. We use high-quality wooden frames that are designed to complement the artwork and ensure its protection.
Do you offer free shipping, and how long does delivery take?
We offer free worldwide shipping on every order, with no minimum purchase required. Delivery typically takes 5-10 business days, depending on your location.
Is the print made with archival quality materials?
Yes, every print is made using archival inks and museum-quality paper to ensure long-lasting color and quality. The UV-protective glazing also helps to prevent fading over time.
What is your return policy?
We offer a 30-day return policy. If you're not completely satisfied with your purchase, you can return it within 30 days for a full refund. Please note that the print must be returned in its original condition.
More Works by Robert Goodnough
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4 Robert Goodnough Prints, Museum Quality
Framed and ready to hang · Archival inks · Ships worldwide
