To Fellini 1958 — Fine Art

To Fellini 1958 shows loose painted forms against a plain ground. The brushwork sits thick in places and thins out elsewhere.

Philip Guston painted this in his late abstract figurative phase. He worked with blunt strokes and a muted palette.

The fine art print uses a matte paper so the soft greys stay flat and the marks do not glare. A light frame on a dark wall lets the painted forms stand apart. You notice the change in pressure across the image when you stand near the kitchen wall by the table.