#9 — Fine Art

The painting #9 - 1963 uses hard edges and flat colour to build a simple layout. Karl Benjamin arranged the shapes so one area feels heavier than the rest. A clear space stays open near the edge. The painted planes meet without blurring.

This is a fine art print set in a frame with a back panel. The paper sits flat under the glass and the colours stay steady under room light. The frame gives the sheet a firm edge.

On a kitchen wall near the sink, the broad colour blocks read from the doorway. You notice the sharp corners of the shapes first. The open ground keeps the wall from feeling crowded.