Abstracto En Grises Y Azules 1956 — Fine Art

Grey and blue shapes sit on a plain ground in Abstracto En Grises Y Azules 1956. The grey field holds the blue marks, and both colours stay soft against one another. Luis Feito worked with abstracted forms and planes of colour during this period.

The fine art print comes ready to hang. A white frame gives the picture a clean edge on the wall. The white sits close to the light grey, so the frame does not pull against the image. You see the grey and blue shapes more clearly with that edge around them.

It fits well on a kitchen wall near the sink, where the grey tones settle among the tiles and steel. From the doorway you notice the blue marks first, then the grey ground as you step closer. The picture stays calm in that bright room.