Printemps en Bretagne — Fine Art

Green and blue shapes sit on a pale ground in Printemps en Bretagne - 1959. Brushstrokes gather in loose clusters, with a few darker lines crossing the sheet. The marks feel quick and uneven, as if the paint was laid down in a short sitting.

The fine art print goes straight onto a nail. The sheet arrives ready to hang, with a metal hanger fitted to the back that goes straight onto a nail or screw. No separate frame to buy. On this image the smooth paper keeps the pale greens soft and the small brush marks stay plain to see.

In a kitchen, the cool tones hold up against white tiles and a wooden table. From the doorway you catch the broad colour shapes, and near the sink you notice the uneven pressure in the strokes.