Rule — Fine Art

Rule - 1991 by Robert Ryman works with a plain ground and careful paint handling. The surface holds small changes in tone and edge. The work fits the artist wider study of how paint sits on a surface and how a mark reads on a wall.

The fine art print goes straight onto a nail. The frame is white, wood, dark wood or black, and that edge gives the picture a clear line against the paint.

On a kitchen wall near the sink the paint areas read as quiet shifts in tone. From the table you notice the edges where one painted patch meets the next. The frame finish sets the tone for the room without drawing attention away from the work.