Untitled — Fine Art

Untitled - 1957 by Norman Bluhm uses broad painted strokes across the sheet. Warm earth tones sit against cool grey zones, and the paint holds its weight on the surface. The movement in the brushwork points to the post war American abstract style the artist practiced. A fine art print keeps those painted layers readable on the paper.

The frame finish is white, and the clean edge around the picture gives the sheet a clear line on the wall. That white border holds the warm and cool tones without pulling focus from the painted marks.

A quiet hallway with a single bulb catches the grey tones at night. From the far end you see the broad shapes first, and the smaller painted lines come into view as you pass.