Untitled 1971Affiche encadrée

Untitled 1971 comes from the working practice of Luis Feito, who built surfaces from thick paint, sand and plaster, then scraped and pressed the mixture into simple marks.

The result is a rough, matte field where the texture does more work than any drawn line. This framed poster sets that image behind a wooden frame with a solid back panel.

It arrives already put together, so the frame and the picture are one object you can lift straight onto a hook. In a study, the rough surface catches the side light from a desk lamp, and the scraped marks read as shallow grooves across the sheet.