Untitled — Fine Art

Untitled - 1978 holds a field of uneven colour with shapes placed by eye rather than by rule. Betty Parsons often worked this way, trusting the hand to place each mark. The surface reads as loose and open.

The fine art print sits inside a frame in white, wood, dark wood or black. That frame gives the picture a clear edge on the wall. The white frame lets the softer tones stay forward. The dark wood frame pulls the darker areas closer to the edge.

In a bedroom, the print hangs on the wall beside the window. From the bed you see the soft shapes and the quiet spacing between them. Morning light falls across the frame edge.