Untitled 1987 — Fine Art

Thick black lines form simple figures and signs across the sheet in Untitled 1987. The drawing uses bold outlines and flat colour, a method Keith Haring used for public walls and quick poster work.

You get the fine art print with a hanger already on the back. A light frame on a dark wall lets the black marks stand out without glare. The matte paper keeps the bright colour from shining under a lamp.

It holds its own on a narrow hallway wall where you pass it daily. From the doorway the shapes step forward, and the flat colour stays clear.