Vermont Hills — Fine Art

Vermont Hills - 1936 shows a wide hillside rolling under a calm sky. The shapes look soft, with colour laid in broad fields rather than hard lines. Milton Avery worked in this way, flattening a scene into steady colour blocks.

A fine art print set in a frame with a back panel keeps those colour fields clean on a matte surface. The frame hides the edges, and the back panel keeps the print flat against the wall.

It fits a bedroom wall near a low bed. The broad shapes read clearly at a distance, while the thin colour changes show when you stand close.